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Daniel Sloss Tour 2026: Tickets, Show Dates & Tour Schedule

Daniel Sloss

Daniel Sloss’s BITTER tour stretches deep into 2026 and early 2027, with an unusually dense run of international dates.

Daniel Sloss tour dates span North America, Europe, and a 2027 Nordic extension.

Date & Time Venue Location Tickets
Fri, Aug 14 – 8:00 PM Edinburgh Playhouse Edinburgh, UK
Sat, Aug 15 – 4:00 PM Edinburgh Playhouse Edinburgh, UK
Sat, Aug 15 – 8:00 PM Edinburgh Playhouse Edinburgh, UK
Wed, Sep 9 – 8:00 PM Theatro Alsos Athens, Greece
Mon, Sep 14 – 8:00 PM Laeiszhalle Hamburg, Großer Saal at Laeiszhalle – Complex Hamburg, Germany
Tue, Sep 15 – 7:00 PM Halle at Kulturzentrum Schlachthof (Wiesbaden) – Complex Wiesbaden, Germany
Wed, Sep 16 – 7:00 PM Lichtburg Essen Essen, Germany
Thu, Sep 17 – 8:00 PM Parkhotel Dresden Dresden, Germany
Sat, Sep 19 – 8:00 PM Admiralspalast – Theater Berlin, Germany
Sun, Sep 20 – 8:00 PM Kupfersaal Leipzig, Germany
Mon, Sep 21 – 8:00 PM Forum Karlin Prague, Czechia
Tue, Sep 22 – 8:00 PM Halle T1 at Theaterhaus Stuttgart – Complex Stuttgart, Germany
Wed, Sep 23 – 8:00 PM Redoutensaal Erlangen Erlangen, Germany
Thu, Sep 24 – 8:00 PM Isarphilharmonie at Gasteig HP8 – Complex München, Germany
Fri, Sep 25 – 7:00 PM Theater am Tanzbrunnen – Complex Köln, Germany
Sat, Sep 26 – 3:30 PM Volkshaus Zürich Zürich, Switzerland
Sat, Sep 26 – 8:00 PM Volkshaus Zürich Zürich, Switzerland
Sun, Sep 27 – 8:00 PM Volkshaus Basel Basel, Switzerland
Mon, Sep 28 – 8:00 PM Theatersaal National Bern, Switzerland
Thu, Oct 8 – 7:00 PM O2 City Hall Newcastle Newcastle upon Tyne, UK
Fri, Oct 9 – 8:00 PM Symphony Hall Birmingham, UK
Thu, Oct 15 – 7:00 PM Balboa Theatre San Diego, CA, US
Fri, Oct 16 – 7:00 PM Orpheum Theatre Los Angeles Los Angeles, CA, US
Fri, Oct 16 – 9:45 PM Orpheum Theatre Los Angeles Los Angeles, CA, US
Sat, Oct 17 – 7:00 PM Masonic Auditorium San Francisco, CA, US
Sat, Oct 17 – 9:30 PM Masonic Auditorium San Francisco, CA, US
Sun, Oct 18 – 7:00 PM Newmark Theatre Portland, OR, US
Sun, Oct 18 – 9:30 PM Newmark Theatre Portland, OR, US
Mon, Oct 19 – 7:00 PM Moore Theatre Seattle, WA, US
Mon, Oct 19 – 9:30 PM Moore Theatre Seattle, WA, US
Tue, Oct 20 – 7:00 PM Bing Crosby Theater Spokane, WA, US
Wed, Oct 21 – 7:00 PM Paramount Theatre Denver Denver, CO, US
Thu, Oct 22 – 7:00 PM Paramount Theatre Denver Denver, CO, US
Fri, Oct 23 – 10:00 PM Palazzo Theatre at The Venetian – Complex Las Vegas, NV, US
Sat, Oct 24 – 4:00 PM The Van Buren Phoenix, AZ, US
Sat, Oct 24 – 7:00 PM The Van Buren Phoenix, AZ, US
Sun, Oct 25 – 7:00 PM Rialto Theatre Tucson, AZ, US
Mon, Oct 26 – 7:00 PM ACL Live at The Moody Theater Austin, TX, US
Tue, Oct 27 – 7:00 PM Bayou Music Center Houston, TX, US
Wed, Oct 28 – 7:00 PM Majestic Theatre Dallas Dallas, TX, US
Thu, Oct 29 – 6:00 PM Fillmore New Orleans New Orleans, LA, US
Fri, Oct 30 – 7:00 PM Steinmetz Hall at Dr. Phillips Center for the Performing Arts – Complex Orlando, FL, US
Sun, Nov 1 – 7:00 PM Tampa Theatre – Complex Tampa, FL, US
Tue, Nov 3 – 7:00 PM Lillian S. Wells Hall at The Parker Playhouse – Complex Fort Lauderdale, FL, US
Wed, Nov 4 – 7:00 PM The Tabernacle Atlanta Atlanta, GA, US
Thu, Nov 5 – 8:00 PM The Truth Nashville, TN, US
Fri, Nov 6 – 7:00 PM The Pageant Saint Louis, MO, US
Sat, Nov 7 – 7:00 PM The Fillmore Detroit Detroit, MI, US
Sun, Nov 8 – 7:00 PM Jo Ann Davidson Theatre at Riffe Center Theatre – Complex Columbus, OH, US
Mon, Nov 9 – 7:00 PM The Orpheum Theater Madison Madison, WI, US
Tue, Nov 10 – 7:00 PM The Pabst Theater Milwaukee, WI, US
Wed, Nov 11 – 7:00 PM Egyptian Room at Old National Centre – Complex Indianapolis, IN, US
Thu, Nov 12 – 7:00 PM Mimi Ohio Theatre at Playhouse Square – Complex Cleveland, OH, US
Sat, Nov 14 – 7:00 PM Beacon Theatre New York, NY, US
Sun, Nov 15 – 4:00 PM Warner Theatre Washington D.C. Washington, D.C, DC, US
Sun, Nov 15 – 7:00 PM Warner Theatre Washington D.C. Washington, D.C, DC, US
Tue, Nov 17 – 7:00 PM The Paramount Huntington Huntington, NY, US
Wed, Nov 18 – 7:00 PM Fletcher Hall at Carolina Theatre Durham – Complex Durham, NC, US
Thu, Nov 19 – 7:00 PM The Met Philadelphia Philadelphia, PA, US
Fri, Nov 20 – 7:00 PM Massey Hall at Allied Music Centre – Complex Toronto, Canada
Fri, Nov 20 – 9:30 PM Massey Hall at Allied Music Centre – Complex Toronto, Canada
Sat, Nov 21 – 4:00 PM Olympia Theater (L’Olympia) Montréal, Canada
Sat, Nov 21 – 7:00 PM Olympia Theater (L’Olympia) Montréal, Canada
Sun, Nov 22 – 7:00 PM The Auditorium Theatre Chicago, IL, US
Sat, Nov 28 – 8:00 PM OVO Arena Wembley (formerly The SSE Arena Wembley) London, UK
Mon, Dec 7 – 8:00 PM MTS Dvorana – Sala 1 Belgrade, Serbia
Mon, Feb 15 – 7:30 PM Grieghallen Bergen, Norway
Sun, Feb 21 – 7:30 PM Olavshallen Trondheim, Norway
Sat, Feb 27 – 7:30 PM Garden, Konsert & Kongress Linköping, Sweden
Mon, Mar 1 – 8:00 PM Koncerthuset Copenhagen, Denmark
Sun, Mar 7 – 7:30 PM Kulttuuritalo Helsinki, Finland

Daniel Sloss shows include multiple-night runs in select cities.

  • In North America, it begins in Boston, MA at The Wilbur Theatre with three shows (Aug 7–9, 2026), then returns in October and November for a major U.S.–Canada leg.
  • Key American stops include San Diego (Balboa Theatre, Oct 15), Los Angeles (Orpheum Theatre, Oct 16, early and late shows), San Francisco (Masonic Auditorium, Oct 17), Portland, Seattle, and Spokane (Oct 18–20), Denver (Paramount Theatre, Oct 22), Las Vegas (Palazzo Theatre, Oct 23), Phoenix and Tucson (Oct 24–25), then a sweep through Texas (Austin, Houston, Dallas, Oct 26–28) and the South (New Orleans, Orlando, Tampa, Atlanta, Oct 29–Nov 4).
  • The Midwest and East Coast dates include St. Louis, Detroit, Columbus, Madison, Milwaukee, Indianapolis, Cleveland, Washington D.C., Huntington NY, Durham NC, Philadelphia, Chicago and a big Canadian double of Toronto (Massey Hall, Nov 20) and Montréal (L’Olympia, Nov 21).

Daniel Sloss Tour Image

In Europe, the run starts at Edinburgh Playhouse (Aug 14–15, 2026, including an early evening show), then continues to Athens (Theatro Alsos, Sep 9) and a heavy German and Central European block: Hamburg, Wiesbaden, Essen, Dresden, Berlin, Leipzig, Prague, Stuttgart, Erlangen, Munich, and Cologne (Sep 14–25). Switzerland hosts multiple BITTER dates in Zürich (two shows on Sep 26), Basel (Sep 27), and Bern (Sep 28). A major arena show follows at London’s OVO Arena Wembley (Nov 28).

The 2027 Nordic extension includes Belgrade (Dec 7, 2026), then Bergen and Trondheim in Norway (Feb 15 and Feb 21, 2027), Linköping in Sweden (Feb 27), Copenhagen, Denmark (Mar 1), and Helsinki, Finland (Mar 7).

Pre-sale for many of these dates opened in staggered waves during the initial tour announcement period, with general sale following shortly after. Given Sloss’s pattern of adding extra shows where demand is high, additional 2026–2027 dates and second nights in select cities remain likely.

Daniel Sloss North American Tour 2026 / 2027 – Festival Appearances

During the North American leg of Daniel Sloss’s BITTER tour in late 2026, his schedule is structured much more like a classic theatre run than a loose festival circuit, but several dates function in a very “festival-like” way.

  • Instead of outdoor multi‑stage lineups, Sloss is anchoring nights at major, historically significant venues that often host comedy and arts festivals, effectively turning each show into a headline event for local comedy communities.
  • In October 2026, for example, he moves along the U.S. West Coast through the Balboa Theatre in San Diego, the Orpheum Theatre in Los Angeles, and the Masonic Auditorium in San Francisco, then up to the Newmark Theatre in Portland and the Moore Theatre in Seattle.
  • Further along the route, Sloss’s stop at Denver’s Paramount Theatre and his late‑night set at the Palazzo Theatre at The Venetian in Las Vegas echo the energy of festival showcases.
  • Cities like Austin (ACL Live at The Moody Theater), New Orleans (Fillmore), and Atlanta (The Tabernacle) also have strong reputations for annual music and comedy festivals.

By November, appearances in major cultural hubs such as the Warner Theatre in Washington, D.C., Massey Hall in Toronto, and L’Olympia in Montréal place him in venues that frequently anchor national comedy festivals, helping BITTER function as a touring festival of one: a single comic carrying a full‑length, thematically unified show into festival‑grade spaces across the continent.

Daniel Sloss Tour Schedule by State

Daniel Sloss’s BITTER world tour is packed with dates, especially across the United States, giving fans in many regions a chance to see him live without traveling too far. His U.S. run is loosely divided into three main clusters: the Northeast, the West Coast and Mountain states, and the South/Midwest corridor.

  • The tour begins in the Northeast at The Wilbur Theatre in Boston, Massachusetts, with three shows from August 7–9, 2026. He returns to the region later in the year, hitting New York (The Paramount, Huntington, November 17), Pennsylvania (The Met Philadelphia, November 19), and Washington, D.C. (Warner Theatre, November 15).
  • Florida gets a strong presence too, with Orlando (Steinmetz Hall, October 30), Tampa (Tampa Theatre, November 1), and Fort Lauderdale (Parker Playhouse, November 3).
  • On the West Coast, California is a major stop: San Diego (Balboa Theatre, October 15), Los Angeles (two shows at the Orpheum Theatre on October 16), and San Francisco (Masonic Auditorium, October 17).
  • The Pacific Northwest follows with Portland, Oregon (Newmark Theatre, October 18), Seattle, Washington (Moore Theatre, October 19), and Spokane, Washington (Bing Crosby Theater, October 20). Colorado is represented by Denver’s Paramount Theatre on October 22.
  • The tour then sweeps across the Southwest and South. Nevada hosts a late-night Las Vegas show at the Palazzo Theatre on October 23, followed by Arizona dates in Phoenix (The Van Buren, October 24) and Tucson (Rialto Theatre, October 25).
  • Texas includes Austin (ACL Live, October 26), Houston (Bayou Music Center, October 27), and Dallas (Majestic Theatre, October 28). He continues to Louisiana (Fillmore New Orleans, October 29), Georgia (The Tabernacle Atlanta, November 4), Tennessee (The Truth, Nashville, November 5), and Missouri (The Pageant, St. Louis, November 6).
  • Finally, the Midwest gets Detroit, Michigan (The Fillmore, November 7), Columbus, Ohio (Riffe Center, November 8), Madison, Wisconsin (Orpheum Theater, November 9), Milwaukee, Wisconsin (Pabst Theater, November 10), Indianapolis, Indiana (Egyptian Room, November 11), Cleveland, Ohio (Mimi Ohio Theatre, November 12), and Chicago, Illinois (Auditorium Theatre, November 22), making this one of Sloss’s most geographically wide-ranging U.S. tours.

Daniel Sloss Tour Dates by City

Daniel Sloss’s BITTER tour is unusually extensive, crossing North America and Europe and revisiting some cities multiple times, which shows both his global appeal and careful routing.

Daniel Sloss upcoming events are listed below by major stops and routing clusters.

  • In the United States, Boston kicks things off at The Wilbur Theatre with three shows from August 7–9, 2026, setting an early tone on the East Coast before he returns later in the year.
  • October brings a concentrated West Coast sweep: San Diego (Balboa Theatre, Oct 15), two shows in Los Angeles (Orpheum Theatre, Oct 16), San Francisco (Masonic Auditorium, Oct 17), then Portland (Newmark Theatre, Oct 18), Seattle (Moore Theatre, Oct 19), and Spokane (Bing Crosby Theater, Oct 20).
  • From there he heads inland to Denver’s Paramount Theatre (Oct 22), then down through Las Vegas (Palazzo Theatre, Oct 23), Phoenix (The Van Buren, Oct 24), and Tucson (Rialto Theatre, Oct 25).
  • Texas and the South get solid coverage too: Austin (ACL Live at The Moody Theater, Oct 26), Houston (Bayou Music Center, Oct 27), Dallas (Majestic Theatre, Oct 28), New Orleans (Fillmore, Oct 29), Orlando (Dr. Phillips Center, Oct 30), Tampa (Tampa Theatre, Nov 1), Fort Lauderdale (The Parker Playhouse, Nov 3), Atlanta (The Tabernacle, Nov 4), Nashville (The Truth, Nov 5), and St. Louis (The Pageant, Nov 6).
  • The Midwest and Mid-Atlantic follow with Detroit (The Fillmore, Nov 7), Columbus (Riffe Center, Nov 8), Madison (Orpheum Theater, Nov 9), Milwaukee (Pabst Theater, Nov 10), Indianapolis (Old National Centre, Nov 11), Cleveland (Playhouse Square, Nov 12), Washington, D.C. (Warner Theatre, Nov 15), Huntington, NY (The Paramount, Nov 17), Durham, NC (Carolina Theatre, Nov 18), Philadelphia (The Met, Nov 19), Toronto (Massey Hall, Nov 20), Montréal (L’Olympia, Nov 21), and Chicago (Auditorium Theatre, Nov 22).

In Europe, he hits major comedy hubs: Edinburgh and Newcastle in the UK, multiple German cities (Hamburg, Wiesbaden, Essen, Dresden, Berlin, Leipzig, Stuttgart, Erlangen, Munich, Cologne), Athens, Prague, Zurich, Basel, Bern, Belgrade, and the huge OVO Arena Wembley in London, plus Scandinavian dates in Bergen, Trondheim, Linköping, Copenhagen, and Helsinki.

Daniel Sloss show venues

Daniel Sloss’s BITTER tour threads through an impressive range of venues, from historic theaters to modern multipurpose halls, reflecting both his global draw and the diversity of live-comedy spaces.

  • In major U.S. cities, he appears in classic, high-profile rooms that usually host top-tier stand‑up, concerts, and touring Broadway shows. Examples include the Wilbur Theatre in Boston, the Balboa Theatre in San Diego, the Orpheum Theatre in Los Angeles, the Masonic Auditorium in San Francisco, and the Paramount Theatre in Denver.
  • A significant portion of the tour runs through large performing arts centers that often anchor their city’s cultural life. In the U.S. and Canada, these include Steinmetz Hall at the Dr. Phillips Center in Orlando, the Auditorium Theatre in Chicago, Massey Hall in Toronto, and Olympia Theater (L’Olympia) in Montréal.
  • In Europe, Sloss plays major halls like Edinburgh Playhouse, Laeiszhalle in Hamburg, Isarphilharmonie in Munich, O2 City Hall Newcastle, and Oslo-style multiuse complexes such as Forum Karlin in Prague and Koncerthuset in Copenhagen.

Sloss also performs in large-scale arenas and prestige venues that signal his status as a headliner capable of drawing thousands. Notable stops include:

  • OVO Arena Wembley, London
  • The Tabernacle, Atlanta
  • The Met Philadelphia
  • Warner Theatre, Washington, D.C.
  • Volkshaus Zürich and Volkshaus Basel in Switzerland

Rounding out the itinerary are distinctive venues such as the Palazzo Theatre at The Venetian in Las Vegas and The Truth in Nashville, which blend casino or club atmospheres with theater-style staging. Across these theaters, arts centers, and entertainment venues, the tour consistently pairs Sloss’s intimate, personal material with rooms engineered to make every punchline land.

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Tickets for the Daniel Sloss tickets North American Comedy Tour

Tickets for Daniel Sloss’s North American “BITTER” tour are available through major authorized ticket platforms and official venue box offices, but the safest and simplest option is to purchase directly through our website, where you’ll find confirmed dates, live availability, and secure payment options.

Daniel Sloss show tickets are best purchased via official links and venue box offices to reduce scam risk.

Daniel Sloss stand-up tickets can vary by city, seating tier, and whether VIP options are offered.

  • From there, you’ll be directed to the correct primary ticketing partner for each city, helping you avoid scams and overpriced resales.
  • Prices vary by city and venue, but most standard tickets fall into a tiered structure based on seating location. Expect higher prices for premium orchestra or front‑mezzanine seats and more affordable options in upper levels or rear sections.
  • Many venues also offer accessible seating for guests with mobility needs, which you can select during checkout or by contacting the box office.
  • VIP packages are available at select shows and often include perks such as priority seating, exclusive merch, early entry, or access to a post‑show Q&A when offered.

Presales may be offered to email subscribers, venue members, and credit‑card partners. To maximize your chances of getting the best seats, sign up for our mailing list and enable notifications, then be ready to buy the moment presales open. Have your payment details and preferred sections decided in advance to check out quickly.

Whenever possible, buy early in the tour cycle; prices can increase as shows fill up, and popular cities often sell out entirely. Avoid third‑party resale sites unless they are explicitly linked from our page, and never buy tickets from social media strangers. For accurate links, honest pricing, and the latest availability, purchase through our website. Hurry – tickets are selling fast!

Latest Daniel Sloss comedy special

Daniel Sloss has built his reputation on brutally honest, darkly funny hour-long specials that mix personal storytelling with big philosophical questions. His international breakthrough came with two Netflix specials, “DARK” and “Jigsaw,” both filmed in 2018.

Daniel Sloss stand-up special releases have helped expand his audience well beyond the live touring circuit.

  • “DARK” introduces his trademark style: long-form stories that start as familiar observational comedy and gradually twist into reflections on grief, disability, and the uncomfortable sides of human nature.
  • “Jigsaw,” even more famous, uses the metaphor of a jigsaw puzzle to examine modern relationships. The special became notorious after Sloss reported that thousands of couples broke up following its release, because it pushed viewers to question whether they were truly happy together or just afraid of being alone.

After Netflix, Sloss continued releasing polished specials that deepened his themes. “X,” filmed in 2019 and later released on HBO in the U.S., is arguably his most ambitious work. It begins as a sharp, sometimes crude exploration of consent, masculinity, and power, then gradually reveals a deeply personal story about sexual assault involving someone close to him.

“Hubris,” which followed “X,” captures Sloss during and after the COVID-19 pandemic, reflecting on fame, ego, and the absurdity of human self-importance. Stylistically, it shows him more relaxed and conversational, but still willing to undercut his own image and the audience’s assumptions.

He continues to tour new material intensively, and his upcoming show “BITTER” is billed as a brand-new hour, set to play major theaters worldwide from 2026 onward. Taken together, these latest specials demonstrate Sloss’s evolution from an edgy young comic into a sophisticated storyteller who uses stand-up not only to entertain, but to confront difficult truths with intelligence, emotional weight, and sharp, unflinching humor.

Conclusion

Walking into a Daniel Sloss live show, you should expect more than a straightforward night of jokes; you are signing up for a crafted emotional experience that blends sharp comedy, uncomfortable truths, and surprising depth. Known for his previous specials like “Dark” and “Jigsaw,” Sloss has built a reputation for mixing dark humor with reflective storytelling, and his new BITTER tour continues that style while exploring fresh themes.

Daniel Sloss comedy shows often feel structured like a long-form argument that builds toward a point rather than a sequence of disconnected bits.

Rather than performing quick, unrelated jokes, he constructs long-form routines where ideas build on each other, so the show feels closer to a live one-man essay than a standard stand‑up set.

The tone of a Daniel Sloss show usually shifts throughout the evening. He might open with more accessible, playful material to warm up the crowd, then slowly move into edgier, more personal stories about relationships, hypocrisy, or social issues. Audiences can expect moments of loud laughter followed by quieter stretches where people think, react, or even wince a little before laughing again. This contrast is deliberate. Sloss likes to push the crowd’s comfort zone, testing how far he can go while still keeping the room with him.

You should also be ready for interaction, though not the chaotic kind of crowd work some comedians rely on. Sloss often talks directly to the audience, comments on reactions in real time, and adapts his pacing if the room responds strongly to a particular point. Still, he is primarily a storyteller, so the bulk of the show is carefully written in advance.

Finally, expect to leave the theater with something to talk about. Many fans say they come out of his shows arguing, reassessing relationships, or rethinking beliefs that once felt fixed. A Daniel Sloss live show is designed to be funny first, but it is also meant to stay with you long after the last joke lands.