Lp Tour Overview
Lp shows are shaping up as a massive world run, stretching across Europe, North America, and Latin America, with dozens of headline shows and key festival slots.
European Tour
In Europe, the tour starts in July 2026, with outdoor summer dates in:
- Germany (Leipzig, Munich)
- Austria (Vienna)
- Hungary (Budapest)
- Italy (Mantua, Gardone Riviera, Tarvisio, La Spezia)
- Switzerland (Locarno)
- Romania (Electric Castle in Bontida)
- Spain (Barcelona, Valencia, Madrid)
- Monaco (Monte Carlo)
- Greece (Pilos)
- Bulgaria (Sofia)
- Türkiye (Ankara, Izmir, Istanbul)
These shows take place at a mix of city parks, historic piazzas, amphitheaters, and festivals, often shared with notable artists like Jamiroquai, The Cure, Twenty One Pilots, and Judith Hill.
North American Tour
Lp tour 2026 moves to North America from September through October, starting on the U.S. West Coast in San Francisco, then playing:
- Seattle
- Vancouver
- Portland
- Salt Lake City
- Denver
- Minneapolis
- Milwaukee
- Detroit
- Chicago
- Toronto
- Laval (near Montreal)
- Albany
- Washington, D.C.
- New York City
- Boston
- Philadelphia
- Asheville
- Atlanta
- Nashville
- Multiple shows tied to Austin City Limits Festival in Austin
- Headlining dates in New Orleans, Oklahoma City, Santa Fe, Tempe, Del Mar, and Los Angeles
In November 2026, LP returns to Europe with shows in Manchester and London (UK), Brussels (Belgium), Caluire et Cuire/Lyon (France), Zürich (Switzerland), Utrecht (Netherlands), Luxembourg City, Cologne (Germany – marked as part of the “All Is Not Lost Tour”), then finishes the year in Mexico with concerts in Monterrey, Mexico City (Miguel Hidalgo), and Zapopan/Guadalajara.
Presales and Ticketing
Presales for many of these dates typically open several days before general on-sale via LP’s official website, venue mailing lists, and select credit-card or promoter presales, and this cycle has already begun for much of the 2026 routing. However, specific presale start times vary by city and ticketing partner, so fans should always confirm details directly with official ticket outlets. Because large tours often expand as shows sell out, additional dates and second nights in key markets may still be announced.
Austin City Limits Festival
LP’s 2026–2027 North American touring schedule is built around a mix of headlining dates and major festival slots, giving fans multiple ways to experience their powerful live show. In the United States, one of the biggest anchors is Austin City Limits Music Festival in Austin, Texas, where LP is billed across both Weekend 1 (October 2–4, 2026) and Weekend 2 (October 9–11, 2026) at Zilker Park. These are massive multi‑stage events featuring artists like Charli XCX, Rüfüs Du Sol, Twenty One Pilots, Skrillex, Kings of Leon, Turnstile, and many more, so LP’s sets there place them in front of tens of thousands of diverse listeners.
Touring Cycle and Promotion
ACL is especially important for LP because it highlights their crossover appeal. Their catalog blends alternative pop, rock, and indie sensibilities, making them a good fit in lineups that include electronic acts, rock bands, and mainstream pop performers. Playing both weekends also increases LP’s visibility with industry professionals, media, and international fans who travel to Austin specifically for the festival. For a touring cycle around the “All Is Not Lost” era, these appearances function like promotional pillars rather than one‑off shows.
North American Venues
Beyond Austin City Limits, LP’s North American routing is primarily composed of indoor theater and club venues, from the Castro Theatre in San Francisco to the Wiltern Theatre in Los Angeles, and historic rooms like Massey Hall in Toronto. While these are not “festivals” in the traditional sense, they often participate in city‑wide cultural calendars and mini‑series, further broadening LP’s reach. Together, the ACL festival sets and the extensive run of North American dates reinforce LP’s status as a global touring artist capable of commanding both curated festival stages and dedicated headline nights.
LP Tour Schedule by State
LP’s 2026 tour is unusually global and city‑specific, but you can still group the North American dates by U.S. state to see how widely they’ll be traveling.
- California: LP opens the U.S. fall run at the historic Castro Theatre in San Francisco (Sep 2), then circles back for three October shows: House of Blues New Orleans (actually Louisiana), Marquee Theatre in Tempe (Arizona), The Sound at Del Mar, and the Wiltern Theatre in Los Angeles (Oct 14–15).
- Washington State: Single appearance at Seattle’s Showbox Sodo (Sep 4), followed the next night by Queen Elizabeth Theatre in Vancouver, Canada, and then Roseland Theater in Portland, Oregon (Sep 6).
- Inland: The Depot in Salt Lake City, Utah (Sep 8), Paramount Theatre in Denver, Colorado (Sep 9), and The Bridge at Santa Fe Brewing Company in Santa Fe, New Mexico (Oct 11).
- Midwest: The Fillmore in Minneapolis, Minnesota (Sep 11), The Rave – Eagles Club in Milwaukee, Wisconsin (Sep 12), Shed at The Salt Shed in Chicago, Illinois (Sep 15), and Brooklyn Bowl in Nashville, Tennessee (Sep 30).
- Great Lakes and Northeast: Majestic Theatre Detroit in Michigan (Sep 13), Empire Live in Albany, New York (Sep 19), The Rooftop at Pier 17 in New York City (Sep 24), Citizens House of Blues in Boston, Massachusetts (Sep 25), and Union Transfer in Philadelphia, Pennsylvania (Sep 26).
- Mid‑Atlantic and South: Lincoln Theatre in Washington, DC (Sep 21), The Orange Peel in Asheville, North Carolina (Sep 28), Buckhead Theatre in Atlanta, Georgia (Sep 29), plus Tower Theatre OKC in Oklahoma City, Oklahoma (Oct 10), and House of Blues in New Orleans, Louisiana (Oct 6).
Lp tour dates by City
LP’s 2026 touring schedule is unusually rich, stretching across Europe, North America, and parts of Asia Minor, giving fans in many major cities at least one chance—and sometimes several—to see them live.
- Early July in central Europe: Leipzig, Vienna (two separate Gasometer listings on July 6 that function as one Vienna stop), Budapest, and Munich’s Tollwood Sommerfestival.
- Italy: Outdoor summer shows in Mantua, Gardone Riviera, and Tarvisio, followed by a special co-headline in Locarno, Switzerland with Jamiroquai, and a four‑day appearance at Electric Castle near Cluj, Romania.
- Late July and early August: Mediterranean cities: Barcelona and Valencia with Judith Hill, Madrid’s Real Jardín Botánico, Monte Carlo, La Spezia, then Pilos in Greece and a Balkan string including Sofia.
- Türkiye: Shows in Ankara, Izmir, and a larger‑scale night at Küçükçiftlik Park in Istanbul.
- September and October: Classic North American city run starting on the U.S. West Coast in San Francisco, then heads to Seattle, Vancouver, Portland, Salt Lake City, Denver, and across the Midwest to Minneapolis, Milwaukee, Detroit, and Chicago.
- Eastern and Southern dates: Toronto, Laval (near Montreal), Albany, Washington, New York City, Boston, Philadelphia, Asheville, Atlanta, and Nashville.
- Two weekends at Austin City Limits Festival in Austin anchor the Texas presence, surrounded by club and theatre shows in New Orleans, Oklahoma City, Santa Fe, Tempe, Del Mar, and Los Angeles.
- Final stretch in November: LP back to Europe and into Latin America. Key cities include Manchester, London, Brussels, Lyon (Caluire et Cuire), Zürich, Utrecht, Luxembourg City, Cologne, and then Monterrey, Mexico City (Miguel Hidalgo), and Guadalajara (Zapopan).
Popular Lp show venues
LP’s 2026 tour weaves through a mix of historic theaters, modern arenas, and scenic outdoor amphitheaters that shape the atmosphere of each show. Many dates are in mid‑sized theaters known for strong acoustics and intimate sightlines, such as the Castro Theatre in San Francisco, The Fillmore Minneapolis, House of Blues New Orleans, and the Wiltern Theatre in Los Angeles. These venues typically hold a few thousand people, allowing fans to feel close to the stage while still delivering full-scale lighting and sound production.
Major North American Venues
- The Rooftop at Pier 17 in New York City, with skyline and river views
- Massey Hall in Toronto, a storied concert hall with a rich rock and pop history
- Queen Elizabeth Theatre in Vancouver, a large, modern performing arts venue
- Austin’s Zilker Park for Austin City Limits, one of the continent’s most famous festival grounds
European and Mediterranean Venues
Europe and the Mediterranean leg showcase especially dramatic outdoor locations. LP plays park stages like Parkbühne Clara‑Zetkin‑Park in Leipzig, Budapest Park in Hungary, and Küçükçiftlik Park in Istanbul, where open air and city skylines amplify the communal energy. In Italy, picturesque piazzas and lakeside amphitheaters—Piazza Sordello in Mantua, Teatro del Vittoriale in Gardone Riviera, and Lago Superiore di Fusine near Tarvisio—offer natural backdrops that suit LP’s emotional, expansive songs.
Festival and Shared Bills
Some stops are part of major festivals or shared bills, such as Electric Castle at Banffy Castle in Romania and Austin City Limits in Texas, where LP performs alongside artists like The Cure, Twenty One Pilots, Charli XCX, and Jamiroquai. Across theaters, arenas, plazas, and festival fields, the venue choices reflect LP’s global reach and the versatility of a show that works equally well under ornate ceilings or open skies.
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Lp tickets for the LP North American Tour
Lp show tickets are available through major authorized ticketing platforms, venue box offices, and verified fan resellers—but the safest and most convenient option is to purchase directly through our website, where you’ll find official links for every date on the schedule. This helps you avoid scams, fake tickets, and hidden markups, and ensures your money supports the artist and the tour. Hurry – tickets are selling fast!
Ticket Pricing
- Standard ticket prices vary by city, venue size, and local demand. Smaller clubs and theaters typically start in the $40–$60 range (before fees), while iconic venues or high-demand markets may begin closer to $70–$90.
- For some shows, prices rise dynamically as seats fill, so buying early usually means better value and better choice.
Seating Options
- Most venues offer a mix of standing general admission (GA), reserved seating, and sometimes balcony or mezzanine sections.
- GA floors are ideal if you want to be close to the stage and don’t mind standing.
- Reserved seats work better if you prefer comfort, a guaranteed view, and easier access in and out of your row.
VIP Packages
VIP packages are available for select dates and can include premium seats, early entry, exclusive merchandise, and occasionally a meet-and-greet or photo opportunity. These packages cost more than standard tickets but offer a special, more personal concert experience for dedicated fans.
Presales
Presales—such as artist presales, venue or promoter presales, and credit card member presales—often open one or two days before the general on-sale. To increase your chances, sign up for our mailing list on our website, create ticketing accounts in advance, log in early, and use multiple devices or browsers. For secure, stress-free access to every show, start your purchase on our website and follow the official ticket links provided there.
Latest LP Album and Songs
LP’s latest studio album, Love Lines (2023), deepens the emotional, widescreen pop-rock style they are known for, while sharpening both songwriting and production. The record leans heavily on themes of heartbreak, self-interrogation, and resilience, pairing them with big, melodic hooks designed for both radio and live arenas. Sonically, it blends anthemic choruses, acoustic textures, and electronic flourishes, but always keeps LP’s elastic, androgynous voice and signature whistle at the center.
Key Tracks
- The title track, “Love Lines,” sets the tone with a mid‑tempo groove and confessional lyrics about the scars relationships leave behind.
- “Golden” mixes bright, almost euphoric production with lyrics about trying to hold onto joy when everything feels unstable, creating a powerful contrast between sound and subject.
- “Wild” channels a restless, runaway energy, capturing the feeling of refusing to be domesticated emotionally, even when that choice comes with loneliness.
Legacy and New Material
“Lost on You,” while not new, continues to anchor LP’s catalog and appears in set lists alongside Love Lines songs, shaping how fans hear the new material. Its mix of vulnerability, powerful belts, and whistled hook set the template for later tracks like “One Like You” and “No Witness” from earlier albums, and for the newer songs’ emotional intensity. On Love Lines, LP also experiments with subtler, more intimate arrangements on tracks like “Hold the Light,” where the vocals sit closer to the listener, almost like a late‑night confession.
LP Setlist Expectations
At an LP concert on the All Is Not Lost–era tours, fans can expect a setlist that blends global hits, deep cuts, and newer material into a cohesive narrative about love, loss, and resilience. Shows typically run about 90–110 minutes, with around 18–22 songs, plus a multi-song encore where LP often saves their most famous tracks for last.
Representative Setlist
- Breakthrough and viral hits: “Lost on You,” “Muddy Waters,” “When We’re High,” “Other People”
- Pop anthems and radio favorites: “Girls Go Wild,” “Recovery,” “Tightrope,” “Into the Wild”
- Powerful ballads: “One Last Time,” “Churches,” “The One That You Love”
- Newer / tour-title material: songs from All Is Not Lost and the most recent EPs or singles
- Occasional surprises: older cuts, acoustic rearrangements, or unexpected covers
Concert Experience
LP’s concerts are known for strong live vocals, dramatic whistle riffs, and extended bridges where they play with phrasing and melody. The band arrangement usually features electric and acoustic guitars, bass, keys, and drums, giving songs a more rock-leaning, dynamic feel than the studio versions.
Stage Production
Stage production tends to be stylish but focused on the performance: bold, colorful lighting, minimal yet effective backdrops, and occasional LED visuals tied to specific tracks (for example, stormy imagery for “Muddy Waters” or neon palettes for “Girls Go Wild”). Rather than relying on heavy choreography or props, LP commands attention through movement, body language, and direct engagement with the crowd.
Audience Interaction
Audience interaction is a major part of the experience. LP frequently talks between songs, tells short stories about writing them, encourages sing-alongs during choruses, and sometimes steps down toward the barricade to connect with front-row fans. The result is a show that feels both big and theatrical yet personal and emotionally intimate.
Conclusion
LP’s touring schedule for late 2026 shows just how global and in-demand this artist has become, with an almost nonstop run across Europe, North America, and beyond. Kicking off in July, LP headlines a string of open-air and festival-style shows across Central and Southern Europe, including Parkbühne Clara-Zetkin-Park in Leipzig, Budapest Park in Hungary, and scenic Italian locations like Piazza Sordello in Mantua, Teatro del Vittoriale in Gardone Riviera, and Lago Superiore di Fusine near Tarvisio. These dates mix solo shows with powerful co-headlining and festival appearances alongside artists like Asaf Avidan in Munich and Jamiroquai in Locarno, emphasizing LP’s crossover appeal to rock, pop, and indie audiences.
From mid-July, LP is a featured act at Romania’s Electric Castle Festival at Banffy Castle in Bontida, sharing the bill with The Cure, Twenty One Pilots, Teddy Swims, Chase & Status, and many more. Late July and early August bring a run through Spain—Barcelona, Valencia, and Madrid’s Noches del Botánico—followed by high-profile Mediterranean stops in Monaco, La Spezia, Greece’s Navarino Hills, and key cities in Bulgaria and Türkiye, including Ankara, Izmir, and Istanbul.
In September and October, the tour shifts to a full North American leg, starting at San Francisco’s historic Castro Theatre and moving through Seattle, Vancouver, Portland, and major inland hubs like Salt Lake City and Denver. LP will then sweep the Midwest and East Coast with shows in Chicago, Toronto, Laval, New York (The Rooftop at Pier 17), Boston, Philadelphia, Atlanta, Nashville, and more. A special highlight is LP’s presence at both weekends of Austin City Limits Festival in Texas, appearing on lineups with Charli XCX, Rüfüs Du Sol, Twenty One Pilots, Skrillex, Kings of Leon, and Turnstile. The year closes with a November arena and theatre run across Manchester, London, Brussels, Zurich, Utrecht, Cologne, and multiple Mexican cities, branded as the All Is Not Lost Tour.
Lp stand-up tickets are not part of this music-tour schedule.
Lp comedy shows are not referenced in the current tour routing.
Lp stand-up special is not associated with these 2026–2027 concert dates.
Lp comedy special is not included in this touring announcement.
Attending an LP concert is less like going to a typical pop show and more like stepping into a shared emotional experience where the line between artist and audience almost disappears. From the moment fans arrive, there is an immediate sense of community: people of all ages and backgrounds trading favorite lyrics, comparing tattoos inspired by songs like “Lost on You” or “Muddy Waters,” and discussing how LP’s music helped them through breakups, identity struggles, or family problems. This atmosphere makes the venue feel safe and welcoming, especially for LGBTQ+ fans who see their own stories reflected in LP’s openness about gender and sexuality.
Once the lights go down, the fan experience intensifies. LP’s voice, famously powerful and androgynous, sounds even more impressive live, cutting through the air with huge high notes, delicate falsetto, and that signature whistle that often sends the crowd into a scream. Fans don’t just watch; they participate. Choruses turn into massive sing-alongs, especially on “Lost on You,” “Girls Go Wild,” and “When We’re High,” where LP often steps back from the mic and lets the audience carry entire sections. Between songs, LP jokes, tells short stories about how tracks were written, and reacts to signs and flags in the crowd, making people feel recognized as individuals, not just a sea of faces.
In smaller venues, fans describe feeling almost like they’re in an intimate club performance, even on a world tour. LP often moves across the whole stage, making eye contact, reaching out to touch hands, or leaning into the front row during emotional moments. After the show, many fans say they leave feeling lighter and more understood, as if they’ve just had a long conversation with a close friend who happens to be a world-class songwriter and performer.
